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The archeological resarch in Hatay has launched in 1932 under the supervision of the Louvre Museum, Baltimore Art Museum, Worchester Art Museum and Princeton University. In 1936, the representatives Fogg Art Museum of the Harvard University and Dumbarton Oaks College joined into the committee. Upon the request of French Inspector of Syrian Antiquities, M. Prost, it was decided to establish a museum in order to bring together all of items uneartled in the Sanjak. The museum plan was developed by M. Misel Eceser within the modern museum context. The characteristics of unearthed items were taken into consideration when the museum plan was improving. The construction was started in 1934 and completed in 1939.
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The Museum of Archeology houses some of the artifacts unearthed in the excavations carried out in Tell Cüdeyde, Tll Dahap, Catalhoyuk, Tell Taniat and Tel el Sheyik Mounds by the Chicago Oriental Institute between 1933 and 1939. Others were uncovered in El Mina location of Samandag Sistirict by Sir Leonard Wolley from the British Museum between 1937 and 1948. The excavations came to an end due to the World War II.
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Hatay Museum of Archeology occupies an importand place in the world in terms of its mosaic collection. It plays host tı the mosaics designed between second and fifth centuries A.D. Doro Levi, who put the mosaics into the chronological order, states that the characteristics of Hellenistic mosaic art such as naturalist appoach and richness in color survived with the Eastern style in Antakya. The common scenes on the mosaics were mythological and natural elements, daily life and abstract ideas. The names of artists are not encountered on the mosaics. It is known that the artists travelled for commercial purposes in the Ancient Period. The shadowing techniques and glass mosaics reveal the efforts of the Romans in order to reach perfection in the artof mosaics. The multicolored and figurative floor mosaics demonstrate the welfare in Antakya during the Roman Periond. Moreover, the trasition period between the Roman Period. Moreover, the transition period between the Roman and Byzantine Empires can be observed through the stylistic and iconographic aspects of the mosaics. More specifically, the changes in life style while paganism was replaced by Christianity can be caughe in the mosaics.
Mosaic of Okeanos Tethys, which was found in Harbiye, dates back to the 4th century A.D. The Sea God Okeanos was one of the 12 Titan children of Gaia (Mother Earth) while Tethys is the Sea Goddess, sister of Okeanos.
Unearthed in Antakya, Mosaic of Soteria is from the 5th century A.D. It was decorating the floor of a bathroom.
Unearthed in Samandag, the mosaic is from the 2nd or 3rd centuries A.D. Dancers with bells in their hands are depicted.
Found in Tarsus, Mosaic of Orpheus is from the 3rd century A.D. In the first panel, Zeus is taking Ganymedes (the most beautiful among the mortals, from the king family in Troy) by force to Olympos. In the other panel, Orpheus is playing an instrument. Orpheus is poet and the founder of Orphism.
Unearthed is Antakya, the mosaic is from the 2nd century A.D. It details Heracles strangling two boas.
Unearthed in Samandag, the mosaic is from the 3rh century A.D. It depicts Eros sleeping under the tree which he has hung his arrows on. On the other hand, Psyche carrying a bow is reaching for the arrows slowly.
Unearted in Harbiye, Mosaic of Seasons belongs to the 2nd century A.D. It details nine scenes. Bellerophon-Stheneboia (between summer and autumn) Paris - Helena (between autmn and winter). Hippolytos - Phedra (between winter, spring and summer). Kalidon (Atalanta - Meleagros) (between spring and summer). At the centre are Iason, Medeia and Assyrtos.
Found in Daphne (Harbiye), Mosaic of Apollo and Daphne belongs to the 3rd century A.D. Daphne is the daugher of Thessalia River, Peneus. Apollo is the son of Leto and Zeus. The mosaic details the nymph, Daphne, who was changed into a laurel tree by her father, river god while she is escaping from Apollo according to the classical mythology.
Found in Harbiye, it belong to the 5th century A.D. The Great Spirit (Magalopsykhia) and mythological figures named as Akteo, Hippolytos and Meleagros hunting around the Spirit are depicted in the middle part. On the edges, human and building figures (merchants, tracellers, stadium, bath...etc.) which reflect the daily life in Antakya are detailed.
Where Is The Museum:
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History of Hatay (Antakya):
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Niqmepa ascended to the thore with the suport of Egyptian Tutmosis III, then, however, the region become again under the rule of Mitannis. In 1370 Hittite King Suppiluliuma regained the control of the region. The flow of information about the history of region had been between 1200 and 900 B.C.
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